With Very Special Guest Shemekia Copeland
Blues Event of the Year
The title of Buddy Guy's latest album says it all: The Blues Is Alive and Well. The legendary blues artist's eighteenth solo LP and follow-up to 2015's Born to Play Guitar showcases his raw and unadulterated sound, its fifteen tracks a true pleasure for aficionados and genre newcomers alike. "I got children and grandchildren who didn't know who I was, but nowadays we can play outdoor concerts and see kids that are eight, nine, twelve years old coming to me and saying, 'I didn't know who you was, but I read what Eric Clapton said about you,'" Guy explains when discussing his mindset around the new record. "I'm always trying to make an album that someone accidentally plays where some kid hears it, picks up a guitar, and helps keep the blues alive."
As Guy pushes forward with his astounding career, he's careful not to forget his late contemporaries who inspired him along the way. "I went to sleep yesterday and woke up and all the great blues players are no longer with us. Muddy, Wolf, B.B.—they're all gone. Before they passed away, when they were in their prime, we used to have a drink and a laugh and talk about how when one of us is gone, the others have to keep it going. I'm trying to do something to keep this music that I love so well alive." And with The Blues Is Alive and Well, it's clear that the music—and Guy himself—ain't going away anytime soon.
Shemekia Copeland never holds back. Her instantly recognizable voice—capable of being sultry, assertive and roaring—delivers every song with unparalleled honesty and passion. Her wide-open vision of contemporary Americana roots and soul music showcases the evolution of a passionate artist with an up-to-the-minute musical and lyrical approach. With her new Alligator Records album, America’s Child, Copeland confidently announces an electrifying new chapter in her constantly evolving story. Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America’s Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise.
"Head turning and outspoken, America’s Child is a true hybrid of simmering, real talking spirit and emphatic, folkie and soul style statement making. She sings slow burning soul and rollicking country blues with growling vigor and potent conviction." - NPR MUSIC
Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at this performance. Children must be able to sit quietly in their own seat without disturbing other guests.
Photography and Video Recording is prohibited. All electronic devices (cell phones, smart phones, tablets, digital cameras) must be turned off before entering the seating area. Cameras with detachable lens are not allowed into the building.
DPAC offers a diverse selection of entertainment. Not all productions may appeal to or be appropriate for every guest or for all ages. Ticket buyers should take responsibility for making informed decisions regarding their purchases. We recommend visiting the official show website of each show you are coming to see at DPAC. If you ever have questions about the content or appropriateness of a show, please contact us at [email protected].
Our lobby doors open 60 minutes prior to show time.
6:30pm- Lobby Doors & Seating Area Opens
7:30pm- Performance Begins
*Please note all times are approximate and subject to change.
All performances scheduled at DPAC normally take place as planned. For more information on our inclement weather policy, please visit INCLEMENT WEATHER FAQ.
Safety First - Bag Check
For your safety, all guests and their bags are subject to inspection before entry. This inspection may include the use of metal detectors. Restricted items include, but are not limited to, Alcohol, Cameras, Glass Bottles, and Weapons of any kind. In addition, we will also now restrict backpacks and any oversized bags larger than 12 inches x 12 inches x 10 inches (about the size of a standard milk crate). Safety first is our goal. Please let us know if you have any questions or feedback at [email protected].
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Currently, this event is not planning on using these added video screens. Please note that use of these screens is subject to artist approval and is always subject to change up until show time.
For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert and comedy events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.