Carolina Ballet Presents Macbeth
Not since Founding Artistic Director Robert Weiss created his Swan Lake in 2005 has there been as much anticipation as there is for the premiere of his new ballet based on Shakespeare's Macbeth, one of the Bard's best known dramatic plays. This tale of prophesy, murder, and one couple's lust for power gone awry is choreographed to an original score by J. Mark Scearce, composer of Carolina Ballet's Dracula. Come for the drama and excitement, stay for the beauty and complexity.
Additional Ticket Information
Find tickets online at DPACnc.com, Ticketmaster.com or at The Ticket Center at DPAC, in person or by phone at 919.680.2787.
Prices include 7.5% sales tax.
Visit our Where to Buy page for The Ticket Center at DPAC address and hours.
Recommended for ages 10 and up. Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at this performance. Children must be able to sit quietly in their own seat without disturbing other guests.
Photography and Video Recording is prohibited. All electronic devices (cell phones, smart phones, tablets, digital cameras) must be turned off before entering the seating area. Cameras with detachable lens are not allowed into the building.
Our lobby doors open 60 minutes prior to show time.
Act I: 62 minutes
Intermission: 20 minutes
Act II: 35 minutes
Pause: 5 minutes
Act III: 35 minutes
*Please note all times are approximate and subject to change without notice.
Currently, this event has not approved using our video screens. Please feel free to check back closer to the event for updates. If approved, we will post notice here.
For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert, comedy, and special events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.