Frankie Valli and the Four Season performing at the U.S. Capitol Fourth of July 2014 concert.

Frankie Valli and The Four Seasons

Back By Popular Demand, The Original Jersey Boy

Triangle fans love the original Jersey Boy, Frankie Valli. Last year he played to a sold out audience and this year DPAC welcomes back Frankie Valli and The Four Seasons on November 20, 2015. Tickets will go fast for this living legend.

Considering Frankie’s background growing up in the rough projects of New Jersey, it’s a wonder he didn’t end up in prison rather than in the Rock and Roll Hall of Fame.  At a young age he was determined to be a star, and a star he became.  For over 50 years, Frankie Valli and his legendary group have wowed audiences with such classic songs as “Big Girls Don’t Cry,” “Walk Like a Man,” “Rag Doll,” and “Can’t Take My Eyes Off You”.  Thanks to the success of the Tony-winning musical Jersey Boys, which chronicles the life and times of Frankie and his legendary group, he is as popular as ever.

Frankie's latest project is a salute to the decade that made him a star with his first new studio album in 15 years. In Romancing The ’60s, he put his own stamp on some of his favorite ’60s songs, the ones he always wanted to record but somehow got away. Produced by Bob Gaudio, an original member of the Four Seasons and Frankie’s long-time partner, the set includes unforgettable new versions of such gems as “Spanish Harlem,” “Call Me” and “Take Good Care of My Baby.” And the album features a guest appearance by four young stars of Jersey Boys, providing background vocals for—what else?—“On Broadway.” Launched amid Jersey Boy-mania, Romancing The ’60s has become the latest classic in Frankie Valli’s half-century of recording.

Frankie and the Seasons have influenced many other great recording artists. That was acknowledged in dozens of recent tributes collected for Jersey Beat, the new Four Seasons boxed set. For example, from Barry Gibb: “Frankie Valli to me has become one of the hallmark voices of our generation. From the deepest emotions of his real voice to the power of his falsetto, he created a style that we all still strive to emulate.” From Billy Joel: “I wrote ‘Uptown Girl’ as the flip side to the story of ‘Rag Doll.’ I always loved that record.” And from Brian Wilson: “In the early ’60s the Four Seasons were my favorite group. I thought they were fantastic. The voice blend was fantastic. The competition helped me to get cracking. It inspired me, because they made good music. I went to the piano thinking I could top their music.”

Don’t miss the opportunity to see him live.             

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Date

Fri, Nov 20, 2015 • 8:00 PM

Tickets

  • Find tickets online at DPACnc.com, Ticketmaster.com or at the DPAC Ticket Center, in person or by-phone at 919.680.2787.
  • Prices include 7.5% sales tax.
  • Visit our Where to Buy page for DPAC Ticket Center address and hours.

Availability

See Tickets and Pricing

Know Before You Go


Dates / Times

Age Restriction

Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at this performance. Children must be able to sit quietly in their own seat without disturbing other guests. Please adhere to published ticket limits. If you exceed the ticket limit, you may have any or all of your orders and tickets cancelled without notice.

Camera Policy

Photography and Video Recording is prohibited. All electronic devices (cell phones, smart phones, tablets, digital cameras) must be turned off before entering the seating area. Cameras with detachable lens are not allowed into the building.

Doors Open

Our lobby doors open 60 minutes prior to show time.

Event Schedule

7:00pm- Lobby Doors & Seating Area Opens
8:00pm- Performance Begins

*Please note all times are approximate and subject to change.

Video Screens

Currently, this event has not approved using our video screens. Please feel free to check back closer to the event for updates. If approved, we will post notice here.

For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert, comedy, and special events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.