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What do you get when you mix up a marketing genius that does video, a studio engineer that writes music, a pianist that had a successful solo career, and a cellist that does pretty much everything? The Piano Guys: a miraculous meeting of “guys” with the same intrinsic purpose – to make a positive impact in the lives of people all over the world through music videos.
It all started in a piano store in a little Southern Utah town called Saint George. Paul Anderson, the store’s owner, was looking for a new, unconventional way to market pianos. The name of the piano store? The Piano Guys.
Paul embarked upon a self-guided study of social marketing and started a YouTube channel and a Facebook page. He had seen videos “go viral” and was fascinated by this exponential phenomenon. He set out to engage potential customers with music videos that were entertaining and that showcased the pianos he had in his store – envisioning “viral videos” doing his marketing for him. Paul was an ambitious, talented risk taker and felt inspired that if he could find the right people to work with he could create the number one music video channel in the world.
In walked Jon Schmidt. Literally. Jon had built a career in solo piano performance and had a concert in the St. George area. He asked Paul if he could practice on one of the store’s pianos in preparation for his gig that night. Paul explained his idea to Jon and asked if he would be willing to be in a video promoting both the store and Jon’s music. It was a win-win. Jon brought so much to the table. He had experienced the “music business” first hand. He had a gift for combining multiple genres of music in such an entertaining way that he had captivated and captured a broad, substantial fan base.
Enter Steven Sharp Nelson. When Steve was 15 years old, he met Jon when they had shared the stage at a concert in which they were both performing. Steve started joining Jon at more and more of his concerts. This rapidly grew into a great friendship and a complementary stage chemistry that had audiences in stitches and in tears in two songs or less. Steve was a multi-instrumentalist that had pioneered a new approach to the cello and to song writing. And his ADHD-fueled creative mind contained a queue of song and video ideas waiting to be produced.
Then came Al van der Beek. Al showed up on Steve’s doorstep to help when Steve was moving in just down the street. Al had heard Steve was a musician and he invited his new neighbor to his home where he housed a decked-out studio. Steve and Al began writing tunes together and discovered a supernatural songwriting partnership. Al’s studio and his engineering skills were to become the most important music-writing tool for The Piano Guys, except of course for Al himself, whose innate ability for songwriting had an essential sleek edge to it.
Meanwhile, back at the piano store, employee Tel Stewart, who started as a piano mover, was just completing a degree in videography. His videography and editing skills rounded out TPG’s beginnings and made it possible to include special effects like the “Steve clones” and lightsaber cello bows! Jeremy Crawford, who also worked at the store, was arguably the best and most fearless piano mover in the world (at least as far as we know!) Without Jeremy, our Piano Stunt Coordinator, no one would have ever asked the question that we get so often, “How the heck did they get the piano up there?” Jeremy also stepped up to fill an important operations role as TPG grew so fast we couldn’t keep up. Shaye Scott, a friend of Paul’s, jumped onboard during the genesis of TPG and lent tremendous videography talent – a natural ability to capture the grandeur of nature, where most of TPG videos are filmed. Shaye’s entrepreneurial talent also ably aided the business side of TPG behind the scenes.
|Tue, Dec 6, 2016 • 7:30 PM|
Tickets to this show are SOLD OUT. Please email us at [email protected] if you would like to be placed on our waiting list if any seats are returned or released before the event.
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|See Tickets and Pricing|
Please note that all guests require a ticket, regardless of age. Children under the age of 6 are not allowed at this performance. Children must be able to sit quietly in their own seat without disturbing other guests.
Photography and Video Recording is prohibited. All electronic devices (cell phones, smart phones, tablets, digital cameras) must be turned off before entering the seating area. Cameras with detachable lens are not allowed into the building.
Our lobby doors open 60 minutes prior to show time.
6:30pm- Lobby Doors & Seating Area Open
7:30pm- Performance Begins
*Please note all times are approximate and subject to change.
Currently, this event has not approved using our video screens. Please feel free to check back closer to the event for updates. If approved, we will post notice here.
For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert, comedy, and special events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.
The Piano Guys VIP package includes a Meet & Greet with the band.
Safety First Bag Check
For your safety, all guests and their bags are subject to inspection before entry. This inspection may include the use of metal detectors. Restricted items include, but are not limited to, Alcohol, Cameras, Glass Bottles, and Weapons of any kind. In addition, we will also now restrict backpacks and any oversized bags larger than 12 inches by 12 inches x 10 inches (about the size of a standard milk crate). Safety first is our goal. Please let us know if you have any questions or feedback at [email protected]
All performances scheduled at DPAC normally take place as planned. For more information on our inclement weather policy please visit INCLEMENT WEATHER FAQ.