Max Richter

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Fri, June 19 8:00 PM On Sale Soon

Once-in-a-Lifetime Performance

Max Richter is one of the most influential and acclaimed composers of all time. His fusion of classical technique and electronic technology, heard across genre-defining solo albums and countless scores for film, dance, art and fashion, has won him legions of fans around the world and blazed a trail for a generation of musicians.

His ninth solo album – the first to be written and recorded at his serene new studio in rural Oxfordshire – is a fleeting self-portrait of a musician in constant motion. In A Landscape is a record about “reconciling polarities,” as Richter puts it, bringing together the electronic and the acoustic, the human and the natural world, the big questions of life and the quiet pleasures of living.

The 19-track album began life in summer 2022 as a natural counterweight to the urgent political tenor of his previous projects: Exiles, a ballet score about the refugee crisis, and Voices, constructed with a “negative orchestra” and hundreds of readings of the Universal Declaration Of Human Rights. Richter’s ongoing commissions, meanwhile, were similarly dramatic and conceptual, including a ballet adaptation of Margaret Atwood’s post-apocalyptic MADDADDAM, music for a Mark Rothko retrospective, and scores for Johan Renck’s sci-fi drama Spaceman and the Elisabeth Moss spy thriller The Veil.

The next project called for a recalibration. Shifting focus to Richter’s immediate surroundings, In A Landscape marks out a psychic space in which to meditate on the present while recognising a lifetime of artistic influence, from Bach and Purcell to the poetry of Keats, Wordsworth and Shakespeare. “It’s me having a look around, trying to examine where I'm at,” he suggests, “like a memoir of the present moment.”

In A Landscape is his first solo album recorded at Studio Richter Mahr, the minimalist, eco-conscious creative retreat designed and operated by Richter and his wife, visual artist Yulia Mahr. “The whole building is like an instrument,” he says. “There's an element of exploring the capabilities of the building, how all the spaces sound, all the textures of things, and trying to explore the fingerprint that it has.”

The creative process was deliberately minimal, with Richter writing notation by hand and restricting his palette to just a few colours: string quintet, grand piano, Hammond organ and MiniMoog, plus tape delays, vocoders and reverbs. “I’m always looking for ways to get to the essence of things, to get to the simplest version of everything.”

Interspersing the studio compositions are nine ‘Life Studies’ assembled from field recordings and the hubbub of the everyday: footsteps through the woods, eggs sizzling in the kitchen, a Hong Kong airport trolley, practising Mozart on the piano. These simple acts of noticing from a zen-minded creative bring the “landscape” of the album’s title into focus, calling back to the found sounds that distinguished Richter’s breakthrough albums, 2002’s Memoryhouse and 2004’s The Blue Notebooks.

From its darkly enveloping prelude (‘They Will Shade Us With Their Wings’) to the sombre elaboration of 17th century English composer John Eccles (‘Love Song’), the album deepens Richter’s lifelong search for both “emotional directness and beautifully made things”. Luminous piano whorls (‘A Colour Field’) and pensive electronic clouds (‘Only Silent Words’) bring opposing energies together with the lightest touch: “The music feels very simple, but nothing is there by chance; all the notes are where I carefully placed them.”

In A Landscape also ponders our place in a damaged world. Responding to the windswept, proto-ecological imaginations of Wordsworth and the post-war poet Peter Redgrove, two pieces (‘And Some Will Fall’, ‘Late and Soon’) cycle through an 18th century harmonic sequence in blooms of strings and piano, echoing the poets’ earthbound imagery.

But in keeping with Rothko’s advice to include an ounce of hope in every artwork (“10%, to make the tragic concept more endurable”) the album concludes on a note of warmth and solidity, as the repeating bass of ‘Movement, Before All Flowers’ comes to rest. “A degree of hopefulness is important,” says the artist. “There’s an element of psychological responsibility in doing creative work.”

Over the last two decades, Richter has brought his distinctly humane and emotive sensibility to a series of ambitious projects – among them, a reimagining of Vivaldi’s violin concertos, the landmark nine-hour album Sleep and his score for Wayne McGregor’s ballet Woolf Works – along with acclaimed solo records tackling human rights, migration and the 2003 invasion of Iraq.

After spending many years grappling with big ideas and thorny social and political questions, the making of In A Landscape has opened up another, greener world for Richter. Making music remains, above all, “a way to make a kind of alternate reality,” a constructed world “where everything is in its place.”

Accessible Seating & Accessible Services

DPAC offers a variety of Accessible Seating & Accessible Services to make our performances and facilities accessible to all.

Accessible entrances, parking, restrooms, and seating options including a variety of wheelchair accessible locations and companion seating.
ADA compliant ramp access and elevators to all lobbies and seating areas.
Courtesy shuttles from nearby parking areas, curb-to-seat wheelchair assistance and listening devices at every event.
Plus, audio description, captioning, and sign language interpretation upon request.

Accessible Services - We’re here to help!

For additional information, questions or more specific details on accessibility or any accommodation or service listed below, please contact us via e-mail at AccessibleServices@DPACnc.com.

Accessible Seats - Ticket Purchases

To purchase Accessible Seats, please visit the Blue Cross Blue Shield of North Carolina Ticket Center

For additional information, questions or details on an accommodation or service not listed below, please contact us via e-mail at AccessibleServices@DPACnc.com.

Cashless Payments for Snacks and Beverages at DPAC

Snack and beverage purchases at DPAC are cashless and require payment using credit or debit cards, or mobile payment, including Google Pay or Apple Pay.
If you happen to arrive at DPAC with cash only, guests may purchase a DPAC gift card with cash in $20 increments at our Entry Lobby Guest Services window. These gift cards can then be used at any lobby bar or snack and beverage stand.

Content Advisory, Age Appropriateness & Age Requirement

Content Advisory & Age Appropriateness

DPAC offers a diverse selection of entertainment. Not all productions will appeal to or be appropriate for every guest or for all ages. Ticket buyers should take responsibility for making informed decisions regarding their purchases. We recommend visiting the official website of each show to learn more about the show you are coming to see at DPAC.
If you ever have questions about the content or appropriateness of a show, please contact us at GuestServices@dpacnc.com.

Age Requirement

Please note that all guests require a ticket, regardless of age.
Children under the age of 6 are not allowed at this performance.
Children must be able to sit quietly in their own seat without disturbing other guests.

Doors Open

Our lobby doors open 60 minutes prior to show time.

Event Schedule

7:00 PM- Lobby Doors
8:00 PM- Performance Begins

* Please note all times are approximate and subject to change without notice.

Inclement Weather

All performances scheduled at DPAC normally take place as planned. For more information on our inclement weather policy, please visit INCLEMENT WEATHER FAQ.

Photography / Video Recording

At DPAC, each event that we host determines their own policy on photography and video recording using mobile phones. We enforce these policies at their direction.
This event has not yet communicated to DPAC, their specific policy regarding photography and video recording using mobile phones.
DPAC will make every effort to communicate this policy to guests in an email before the event.
Once you arrive at DPAC, you can also ask a staff member, look for specific signage near the doors to the seating area, or listen for pre-show announcements.
GoPro’s, tablets, and cameras of any kind are prohibited at all DPAC events.

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Safety First - Bag Check

For your safety, all guests and their bags are subject to inspection before entry.
This inspection may include the use of metal detectors.
Restricted items include, but are not limited to: Alcohol, Cameras, Glass Bottles, and Weapons of any kind.
In addition, no large bags are allowed including backpacks and large purses 12 or more inches deep.
Small clutch purses are STRONGLY recommended.
For family shows that allow very young children, diapers bags are allowed for guests with infants and toddlers (child must be present).
Safety first is our goal. Please let us know if you have any questions or feedback at guestservices@DPACnc.com

Special Effects

For many events at DPAC, the performances contain bright lights, flashing strobe lights and theatrical fog or haze.
DPAC does not control these lighting effects which are designed as part of the show and are used for dramatic effect.
Theatrical fog or haze, comprised of safety tested glycol, glycol/water mixtures, water, mineral oil, or dry ice, is used to make lighting effects more visible, and to create a specific sense of mood or atmosphere.
Some, but not all events provide DPAC with more specific advisories on these effects. When available, DPAC will post any added advisories below.
- This event has not provided DPAC with any specific advisory.

Standing at Concerts

Standing and Dancing at Concerts: DPAC is proud to welcome all types of concerts to our stage. Sometimes during the course of a concert performance, audience members will show their enthusiasm by standing and dancing, especially when encouraged by the performers to do so. Unless directed by the show, we do not ever enforce a must sit policy at concerts. For most concerts, this would not be acceptable to the performers on stage who often love it when the crowd is moved enough by the performance to stand. This is especially true for rock shows and for seats closest to the stage.

Tickets

Most tickets buyers purchase right from our website using the Buy Tickets button on this page.
In addition to purchasing online, DPAC offers several other ways to purchase the seats you want to the best Broadway, concerts, comedy, family shows and special events in North Carolina.
Our computerized ticket system enables you equal access to great DPAC seats whether you buy online, by phone, or in person at DPAC.
For more details, visit our Purchase Seats page for complete information on purchasing great seats for all events at DPAC.
All tickets for DPAC events are fully digital and only accessible via your mobile device. A mobile ticket is the safest, most convenient, and flexible way to receive and manage your tickets while increasing protection against fraud. To learn more about mobile entry, please visit our Mobile Entry FAQ.

Video Screens

Currently, this event has not approved using our video screens. Please feel free to check back closer to the event for updates. If approved, we will post notice here.

For many concert, comedy, and special events at DPAC, we offer added views of the stage with two big screens (size: 16’ x 9’) hung to the sides of the stage or above the stage. These big screens can add to the visual experience of our concert, comedy, and special events and give guests seated farther from the stage what we like to call “a tenth row view”. Approval to use these screens always rests with the visiting show and about half of all concert and comedy events do use these screens.

Max Richter

Once-in-a-Lifetime Performance

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